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The Sarah Lund jumper: a tribute

— by Alyson Walsh

Photo: Radio Times.

It’s rare that an item of knitwear becomes iconic: Audrey Hepburn’s black polo neck in Funny Face,  Ali Mc Graw’s Love Story scarf, Starsky’s belted cardigan. As tonight sees the last episode of The Killing, ever, it would be rude to let the moment pass without a tribute to Sarah Lund’s Faroe Island jumper. Series three has seen romance, nudity and of course, new knitwear. Don’t know about you but I feel quite nervous when actress Sofie Grabol is without her trademark pullover. I think of it as a protective layer, like a cosy bulletproof vest. The chevron sweater is my least favourite style. It’s just not Nordic enough more Karen Millen than The Killing.

Photo: The Guardian.

Much prefer season two’s red number, that, in true Scandinavian Style made an appearance in Vogue, alongside Grabol and an Arne Jacobsen chair.

Then there’s the original Gudrun Gudrun handknit. As we all know, when a fashion item works, it’s worth buying it in several different colourways:

Photo: Evening Standard.

Photo: The Guardian.

I can’t bear the thought of life without Lund, let alone the jumper of truth and justice. But at least I can while away a wintry Saturday evening indoors knitting my own WhodunnKnit Danish Detective:

Hair tied back, she means business.

 
What do you think is going to happen in the final episode? Will they find the girl? Is Lund going to cop it?

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Photo: Radio Times. It’s rare that an item of knitwear becomes iconic: Audrey Hepburn’s black polo neck in Funny Face,  Ali Mc Graw’s Love Story scarf, Starsky’s belted ca…