The best make-up for mature skin and why you don’t need an expensive mascara
When it comes to discovering the best beauty products, professional make-up artists are always in-the-know. They get to try-and-test all the latest products on a range of skin tones and types and hence have a great overview. One of my favourite artists to work with, Lindsey Poole, is highly respected in the industry and has a lovely, laid-back manner. She is known for her impressive roster of clients, producing looks for Vogue, Elle, Red and the Guardian, and working with high-profile names such as Sophie Ellis Bextor, Sharon Horgan, Sadie Frost and Lucy Bronze ( I was most excited about the latter).
I can always trust Lindsey to make me look presentable (!) Her make-up is natural and never caked-on, and when she’s worked her magic I feel like myself but on a very (very) good day.
Here Lindsey shares her top beauty products, the make-up she uses on herself, and her clients; together with expert tips on application. From the lipstick that will see you through lunchtime to the under-£10 mascara, here are her recommendations:
Lindsey’s skincare and make-up recommendations
For mature skin, hydration is key – as is a consistent routine. One of my recent discoveries is Tatcha’s Dewy Skin Cream. It creates a lovely soft canvas for makeup, and the formula doesn’t flatten or matt-ify skin. This cream feels quite luxurious when you’re applying it and smells lovely. I also like the Vitamin Enriched Face Base at Bobbi Brown, which is great under makeup, primes the face perfectly and keeps skin hyrdated. Another product that’s always in my kit is Embryolisse Lait Creme Concentre.
During the summer months, a tinted moisturiser creates a great base. The Just Skin Tinted Moisturiser at Chantecaille glides on, adds an instant glow, and also includes SPF. Hourglass Veil Skin Tint is another brilliant option, which is lightweight, fuss-free and very moisturising. For more of a satin finish, the Seamless Skin Tint at Lisa Eldridge is really good (though it is quite sheer.)
If you have redness on your face try the the Erborian CC Red Correct. When you apply the product, it feels like it melts in and takes any redness away. The consistency is really lovely and doesn’t look ‘chalky’ on the skin. The concealer I use most often is Secret Camouflage from Laura Mercier, which comes in two shades so that you mix them together to create a bespoke colour for your complexion. Apply with a little brush to conceal dark spots and soften darkness under-eyes. If done correctly, foundation and concealer shouldn’t be seen, and it should help give the illusion of a flawless complexion (even if you haven’t got one). There is really no need to apply foundation all over, just to the places that need it.
For a soft glow I love Chanel’s Baume Essentiel translucent highlighter stick, applied to the tops of cheekbones. The balm doesn’t contain any sparkle so it’s the most natural and won’t highlight fine lines. I also rate the Lisa Eldridge Elevated Glow Highlighter which can be used prior to foundation for natural radiance. You can also pop some in the corner of eyes for a bright-eyed look.
Megastar make-up artist Charlotte Tilbury has loads of fantastic products that can be found in my kit bag. Please don’t be put off by the full faces of dramatic, shimmery make-up shown in her adverts! You can use the range in a subtle, less-is-more way. Hollywood Flawless Filter is a primer and highlighter (some people even use this instead of a foundation). I gently brush the Airbrush Flawless Finish Powder on the temples, forehead, chin and nose to help filter out large pores and reduce shine. Another product that has a permanent place in my kit is The Sophisticate – a palette of four of matte eyeshadows in chocolate, taupe, tan and cream that I use to add a little colour and depth to the eye-line (and there’s no shimmer). These tones suit most complexions. Simply apply all over the eyelid with fingers or a brush.
For the lashes, I love Max Factor’s 2000 Calorie mascara. I’ve tried so many different ones over the years, but always come back to this. I don’t think you need to spend much money to find a decent mascara that performs well, and will give your lashes length without clumping or flaking. There are lots of good options at Boots and Superdrug; I also rate Maybelline’s Sky High mascara.
On the cheeks I like using the blush sticks from Westman Atelier. They are expensive but they do last, so I think they’re worth splashing out on. The texture is not too shiny or matte, but adds a nice glow. The blush also stays put and doesn’t slide around your face, even in hot weather. The colours are really natural and enhance your complexion. Creme blushers and bronzers are much easier to apply than powders, and hard to get wrong. They can be built up, look more natural, and they’re also incredibly useful when you’re on-the-go.
For the lips, Lisa Eldridge has a fantastic range of products. Often liquid lip colours feel awful, they smudge and dry out your lips, but the Velveteen Liquid lip colour feels really moisturising and hydrating and is super long-lasting. You can buff it on a bit, or apply with your own lip brush, rather than directly from the tube if you want a more sheer and subtle look, with no hard lines around the edges. Her lipsticks correspond with the Velveteen colours, and again aren’t drying. She’s very skincare lead, so her products treat and look after the skin as well. The Charlotte Tibury Iconic Lip Cheat Liner is another product that many artists in the industry swear by because it works on lots of skin tones. I personally use it and love it.
Find out more about Lindsey Poole HERE and follow her on Instagram HERE.
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I’d also like to recommend NYX Lip Primer. This prevents feathering of lipstick on mature skins. You turn it at the bottom as you use it which I prefer to having to sharpen a pencil – Boots No7 one is like this. They both work well.